Insanely Great; The bastard lovechild of Thomas Hirschhorn and Tracey Emin (2013)

This project consists of a ten-foot high by thirty feet wide wall constructed from sheet cardboard and duct tape, that is a support for selections of digital collages as vinyl stickers, gold spray painted slogans and obscure vinyl text poems, reminiscent of didactic wall text in museums. The installation contains fragmented imagery, materials and texts to form a critical dialogue on how identity is generated when the Internet interfaces with cultural capital, neoliberalism.